How to take photos in the forest in autumn. How to photograph a forest at different times of the year? Posing for a family winter shoot

Summer is the season for filming outside, in the open air. Many people go on photo walks to take beautiful staged portraits. But how to move from creating random everyday shots to conscious portraiture?

This article is about taking a staged portrait: one in which the person poses for you. But most of the tips given can be used when shooting reportage shots, without staging.

Where to start?

Of course, the best place to start is by planning the shoot.

Make an agreement with the person you want to photograph. If the person is interesting and pleasant to you, then the shooting will be comfortable. Let's look at what issues should be discussed with the model in advance.

Photography concept. Discuss with the model what kind of image you want to show in the photo (for example, romantic or fairy-tale). Think about the character of the model.

Filming location. The selection of location (slang word from the English location - the place where the shooting takes place) should be treated with special attention. After all, the area in which you shoot can help reveal the subject of the photographs, the image and character of the model.

We especially note that the selected location must meet a number of criteria. For example, there should not be a ban on filming. It is advisable to choose a time when there are the least number of passers-by at the planned shooting location. Good places There will be parks, estate areas (open to the public), and streets in the city center for photo sessions.

Many photographers specifically select “secret” places for shooting - those that are not known to other photographers. In our lessons, we have already touched on the topic of choosing places for shooting more than once. Programs also help in the search - with the help of them we can find out what a place looks like without going there. Before shooting, it is recommended to conduct reconnaissance of the area yourself.

Choose places that are easy and convenient to reach.

• We agree with the model. Immediately agree with the model on the timing and procedure for receiving photographs (even if the model is your close friend).

It is difficult to predict the number of finished photographs. It all depends on the circumstances: how lucky you are with the location and weather, how smoothly you can work with the model. About some general rules It’s difficult to say, but most often they agree on 10-20 processed frames from a photo shoot, the delivery time does not exceed a month.

All frames from the shooting (sources) are usually not given to models, because the selection of the best photographs must be done by the author. Selecting the best shots is as complex a skill as taking photographs. The ability to select photographs needs to be improved in the same way as your creative vision.

When discussing a future shoot, the most important thing is to establish contact with the model. It is good psychological contact with your hero that will allow you to take expressive photographs.

• When should you take money for filming? Of course, only you can make the decision. I will describe my opinion on this matter. A specialist who provides services to a less experienced person takes money for filming. Let's say you are a professional photographer, and your model is just a girl from next door who has nothing to do with photography. Then you will have to not create with it, but work with it. And they take money for work. If your experience in photography is the same as that of your model, then it is quite possible to agree on TFP (Time For Prints) terms.

The conditions denoted by the abbreviation TFP imply not just “free” shooting, but joint creativity of two equal specialists aimed at a high-quality result. If you don’t make a living from photography, I recommend limiting yourself to photographing interesting, pleasant people within the framework of TFP - you will not only get pleasure, but also really good shots.

• What time of day is best to take photos? When photographing outdoors, we can only control the lighting to a very limited extent (using flashes and reflectors). To create beautiful shots, you need to adapt not to your circumstances, but to the sunlight conditions.

It is best to take photographs during regular hours - in the morning or evening hours; when the Sun is low above the horizon and provides spectacular, volumetric lighting. But sunny afternoon is not the best time for photography. The model will squint, hard dark shadows will appear on her face, and the lighting itself in the frame will look boring and flat. Cloudy days are good for portrait photography. When the sky is overcast, you can take photographs all day - the light will be diffused, pleasing to the eye.

What photographic equipment is needed?

Portrait photography is good because it requires a minimum of photographic equipment. All you need is a DSLR camera and a fast lens.

Why do you need a DSLR? It is very easy to use and comfortable to hold in your hand. And of course, it has a large matrix, which will provide not only excellent quality image, but will also allow you to beautifully blur the background in the picture. DSLRs with an APS-C format (“cropped”) matrix are affordable and easy to operate. These include Nikon D3200, Nikon D3300, Nikon D5300, Nikon D5500. Cameras with full-frame sensors are more expensive and are designed for advanced users. This class includes models Nikon D610, Nikon D750, Nikon D810, Nikon Df.

All DSLR cameras have interchangeable lenses. It is important to choose the right optics for portrait photography. Of course, you can start with a universal “whale” lens. But many photographers are quickly moving to more specialized optics. This primarily includes fast fixed lenses. A classic choice for shooting portraits is a lens with a focal length of 50 mm (for example, Nikon AF-S 50mm f/1.8G Nikkor). It is relatively inexpensive and convenient to use on both cropped and full-frame cameras. If you want to shoot full-length portraits with part of the landscape included in the frame, it is better to choose a wider-angle lens with a focal length of 28 (for crop) or 35 mm (for full frame).

NIKON D810 / 35.0 mm f/1.4 SETTINGS: ISO 64, F1.4, 1/200 s, 35.0 mm equiv.

Note that when shooting at close range, such lenses will distort the proportions of a person’s face and body.

Classic portrait lenses are considered lenses with a focal length of 85 mm (for example, Nikon AF-S 85mm f/1.8G Nikkor). But they are more suitable for full-frame cameras, and on “crop” they will “zoom in” too much.

Everything except the camera and lens is optional and depends on the author’s creative ideas and shooting style.

NIKON D810 / 50.0 mm f/1.4 SETTINGS: ISO 31, F1.4, 1/320 s, 50.0 mm equiv.

When photographing portraits, they usually take photographs on open apertures- this is how we blur the background, separating our hero from it. In addition, with an open aperture you will be able to take better shots in low light conditions. It is convenient to adjust the aperture in modes A and M.

How to make a frame darker or lighter? Use exposure compensation. This is the easiest way to correctly change the brightness of the resulting photos.

Learn to focus accurately. This is especially important when working with high-aperture optics. If the aperture value is F1.4–F2.8, then it is very easy to miss focusing. As a result, your hero's face will turn out blurry. Learn how your camera selects focus points. It is convenient to work with high-aperture optics in single-point focusing mode, focusing on the model’s eyes.

It is also necessary to monitor exposure. On too long exposure the model will be “smeared” by its own movements, and a “stir” will appear in the photo. Best take photographs at shutter speeds shorter than 1/125 s, this will protect against severe image blur. If you are shooting with a telephoto lens, or your hero is in constant motion (running, jumping), it is better to use a shutter speed shorter than 1/250 s.

Portrait photography often involves photo processing. This can range from simple white balance correction to image retouching, removal of skin blemishes and serious color correction. Therefore it is advisable take photos in RAW format, in order to provide yourself with greater freedom for creativity when processing.

At what distance should you shoot a portrait? Keep such a distance so that the proportions of the person’s face and body in the frame are not distorted. Best to take photos from a distance of at least 2–3 meters. The close-up of the shot can be changed by choosing the focal length.

Many photographers are fanatically chasing a beautifully blurred background (bokeh) and a “unique lens pattern.” But we must remember that main character there is a man in the frame. Pay attention less attention technical refinements and leave more time to work with the model and the subject of the frame. This is the path to expressive photographs. Beautiful portraits can be taken even with the most simple technique, if you approach the shooting with soul.

If you decide to use manual focus lenses, keep in mind that it will be extremely difficult to focus accurately with them. If your model is relatively still, you can focus through the Live View screen. Shooting through it (with magnification) will allow you to focus more accurately.

NIKON D810 / 50.0 mm f/1.4 SETTINGS: ISO 100, F2.8, 1/320 s, 50.0 mm equiv.

There are a great many different approaches and styles of shooting staged portraits. We recently had a tutorial on basic creative tips for aspiring photographers. These tips are quite relevant for portrait photography. And here's another row useful recommendations to create expressive portraits:

A portrait photographer must be able to win people over, interest them, and inspire them. If there is mutual understanding between the photographer and his subject, you will be able to take a lot of good shots during the photo shoot.

Explain to the model the essence of the shots, tell them what you want to see in the photo. You can do it not in words: show it with your example, make sketches on paper, suggest an associative series. Perhaps you will remember suitable image from some famous film or books. The ability to explain your idea is an important skill for a photographer. Of course, to be able to do this, you will first have to think carefully about the essence of what you are photographing.

It’s good when the result of portrait photography is not one frame, but a small series of photographs, united by a common idea, story, style.

The production does not take away from the life and emotions in the frame. It only determines the plot in which our hero lives. Talk to the model, try to evoke the right emotions in her. Offering clear, strictly defined poses for shooting is not the best option. Most likely, with this approach, the model in the picture will turn out to be squeezed.

NIKON D810 / 85.0 mm f/1.4 SETTINGS: ISO 900, F1.4, 1/160 s, 85.0 mm equiv.

Similar advice for photographing children: don't expect children to be positioned like dolls. Come up with a plot, a general outline of the shooting and combine it with a children's game to make it interesting for them. Play and communicate with your child. Choose fun accessories for the photo shoot: interesting clothes, toys, etc.

Look for diffused side lighting. If the shooting takes place during restricted hours, you can try backlighting.

• A series of portrait photographs (photoset) can be supplemented with other interesting photographs - for example, photograph the model’s hands.

NIKON D810 / 35.0 mm f/1.4 SETTINGS: ISO 64, F1.4, 1/400 s, 35.0 mm equiv.

Praise the model! Don't forget to celebrate her successful actions. Point out what you like. This will help you find contact and liberate your hero. If something doesn’t go as you planned, then it’s better not to reproach, but to talk in a friendly manner about your vision of the shot.

Use basic layout rules. Compose the frame according to the rule of thirds, do not “cut off” your hero’s limbs at the joints, leave more space in the direction of the model’s gaze. Of course, these rules can and should be broken sometimes. But it is important to understand that the rules are effectively broken by those who know and understand them well.

It is believed that it is most beneficial to photograph a person at eye level (yes, you will need to sit down when photographing children). Let this be your starting point in choosing an angle. It is important to take into account that people's faces are different, so in each specific case, the shooting point can be taken lower or higher.

NIKON D810 / 85.0 mm f/1.4 SETTINGS: ISO 31, F1.4, 1/320 s, 85.0 mm equiv.

Advice that has become traditional - don’t be afraid to experiment! All good photographers did not immediately come to their shooting style. Think creatively, but don't forget about theory! And you will certainly succeed.

“Frost and sun, a wonderful day!” As trivial as it may seem, you can actually take great photographs in winter, you just need to take into account a number of features inherent to this particular time of year. Below are some tips on how to better shoot in winter period. But one rule that is not directly related to photography itself should be taken into account at the very beginning: wear warm clothes! No photo shoot will work if you freeze after ten minutes or freeze your fingers on the fourth or fifth frame. So if you're dressed for the season, grab your camera and go!

Keep an eye on the technology

In the instructions for most cameras you can read that shooting in the cold is not recommended or is completely prohibited. In fact, unless we are talking about extreme frosts, you will not harm the camera.

However, you should still monitor its condition: if the screen starts to work with a delay, or even more so, focusing is much slower than usual, then you should stop the photo shoot. And remember that in cold weather the battery discharges much faster.

By the way, after returning from the street, do not take the camera out of your bag and do not turn it on for at least several hours: the fact is that otherwise, due to a sharp change in the ambient temperature, condensation will form, which can cause a number of unpleasant consequences for the camera and lenses.

Compensate exposure and white balance

Most often they go out into the cold with a camera for bright pictures with blue sky and sparkling snow. But it’s precisely this feature of the surrounding landscape that can play a cruel joke: the camera’s automation, trying to compensate for the brightness of the snow, darkens the entire image, which means losses in the shadows are likely.

This can be “treated” simply by pre-correcting the exposure to positive. The main thing is not to overdo it and not achieve overexposure, so check the histogram.

With white balance, the situation is similar - the automation makes mistakes, and this leads to blue in the pictures, so white balance adjustment is necessary (including subsequent fine adjustments, so, as always, it is better to shoot in RAW).

Consider shooting in cloudy weather

Basically, there are two main things you need to know about shooting in cloudy weather. First, compensate the exposure to the plus in the same way. Yes, even if the day is cloudy, for the camera the snow is still too bright an object that it will try to obscure.

Secondly, you should not try to shoot complex objects in cloudy weather: they will almost certainly not turn out the best.

It will be better if in such weather you focus on laconic photographs with a minimum of objects or on subject shooting directly related to such weather.

Look for bright objects in the frame

Winter, as you know, tends toward monochrome, which means that brighter objects will stand out favorably against the background of white (or gray) snow, especially if they are truly bright.

Saturated colors - red, green, blue, orange and others - will effectively highlight the subject in the photo and will definitely attract attention. You don’t have to look far for examples: who among us hasn’t photographed a rowan bush covered in snow?

Make use of the dark

Winter is that rare case when shooting at dusk can compete with daytime photographs in terms of effectiveness.

You just need to choose a place where there are a lot of lights, preferably multi-colored ones, that is, it will almost certainly be a park that has high-quality lighting.

Reflecting from snow and ice, it creates an absolutely wonderful picture, transforming even landscapes that look dull and unremarkable during the day. How beautiful is the slowly falling snow in the light of the lanterns!

Snowfall is not a hindrance

Speaking of snowfall: if there is not a blizzard outside with a hint of a blizzard, then falling snow is by no means an obstacle to excellent shots, you just need to take into account a few nuances.

First of all, don't use flash! Snowflakes are tiny crystals, so you are guaranteed to experience random light reflection in all directions.

Secondly, shutter speed is of great importance, since it determines exactly how the falling snow will be displayed in the picture - whether it will be a slow fall (short shutter speed) or a dynamic flight (long shutter speed).

Well, don’t forget to periodically clean the lens filter from adhering snow, so as not to find completely unnecessary spots on the picture. By the way, about snowflakes. Take a look at the work of Sergei Kichigin and feel a charge of inspiration!

If I had to choose just one day of the year to photograph trees, it would be one of autumn days and I'm sure most photographers would make a similar choice.

Autumn brings a whole new palette. The time of summer greens has passed and has given way to bright yellows, warm oranges and bright reds. Birches, beeches, oaks, aspens, rowan trees and other trees give rise to such a riot of colors that we, enchanted, take the camera and go to the nearest forest or park.

I'll be honest, I love photographing trees in any condition and color, and I use a variety of techniques to do so. But what attracts us most about trees is their creativity. The fact that trees are essentially immovable objects provides ideal opportunity to create captivating, creative photos. All you need is knowledge of a few basic photography techniques combined with a desire to experiment.

So what is creative tree photography? Every photographer is free to interpret this concept the way he wants, but for me personally, it involves creating an image that is different from the one we see in everyday life. Therefore, any image of a tree or forest, different from what we see day after day with our own eyes or in documentary footage, can be considered creative.

Creative images can be achieved by using a wide-angle lens, using a zoom lens in unconventional ways, choosing an unconventional point of view, or using camera features that distort or change appearance objects being photographed.

One of the simplest, but effective methods creating creative photography - using a wide-angle lens to photograph tree crowns from ground level. There's nothing radically new about this method, but it does provide a very interesting alternative way of looking at trees.

A 16-21mm lens on a full frame camera, or the equivalent on a crop factor camera, will give you impressive results. The most difficult thing about this method of photography is finding a group of evenly growing trees whose trunks will create symmetrical vertical lines in the photo. Either way, you will need to spend some time finding suitable trees and checking how they look through the camera.

The best time to shoot is on a sunny day with a clear blue sky, which will create a blue background showing through between the branches. Contrary to the generally accepted rule, midday sun will be most preferable for this type of photography, as it gives a more uniform illumination of the leaves than the sun at an angle.

The easiest way to take such a photo is to shoot while holding the camera in your hands. That being said, since you are using a wide-angle lens, you should set your shutter speed to 1/30 sec or faster to eliminate any camera shake.

To get the most interesting photos, you need to lie down on the ground - take a raincoat or blanket with you that you can lay under you. This will allow you to include more tree trunks in the frame and distort the perspective as much as possible.

Set your aperture to f/11 or f/16 to get good depth of field and focus around the mid-length of one of the tree trunks. You may need to adjust if the tree trunks are too dark or if the sky is too bright. Taking into account the need to adjust the exposure, the best option is to shoot in RAW.

If you have a fisheye lens, you can use it not only for the shooting method discussed above, but also for shooting in the forest in general. For example, I use the Sigma 15mm fish-eye lens, which produces excellent results at a reasonable price.

Another shooting technique I'll share with you is to move the camera or subject to create blur. The simplest way- rely on Mother Nature and choose a day when the wind is moving the leaves and branches, and then use a long shutter speed to capture the blurred pattern created by the moving branches and leaves.

The idea is simple enough, but to use a long shutter speed you may need a tripod and a polarizing or neutral density filter to reduce the amount of light hitting the camera sensor.

Even if you use an aperture of f/16 and the camera's lowest ISO setting, on a sunny day you will only be able to use a shutter speed between 1/30s and 1/100s, but this shutter speed is too fast to record motion blur.

So, you can’t do without a filter in this shooting. will reduce the light level by about 2 stops and in addition to this will reduce glare on the leaves and make the colors more saturated.

If you want to use a slower shutter speed, you will need a neutral density filter (ND filter).

There is, of course, an alternative to using filters - you can shoot on a cloudy day, or at dawn or sunset, that is, at a time when the level of natural light will be significantly lower.

In any case, you should aim for a shutter speed of 1 second or longer to create a quality blur effect.

Finally, to take a photo, attach the camera to and use the cable release. Wait until the leaves and branches sway the most and take a photo.

how to photograph autumn trees

Although blurry moving leaves are your main goal, the photo needs some kind of visual anchor that the viewer's eye can latch onto. The tree trunk is perfect for this role - they are less exposed to the influence of wind, so they will turn out relatively sharp in the photo and provide a good contrast to the blurred leaves.

If you don't want to wait for windy weather, you can try to achieve this effect yourself by moving the camera while shooting.

This technique is best used when shooting tall, straight tree trunks, which will allow you to achieve an effect like the photo below.

no images were found

This shot was created by smoothly moving the camera from top to bottom. One way to take a similar photo is to hold the camera in your hands and quickly move it from top to bottom at a shutter speed of 1/2 s to 1/8 s.

Or you can mount the camera on a tripod and shoot slowly with a shutter speed of 1 to 2 seconds.

It is extremely important to avoid any horizontal movements when shooting as they will ruin the desired effect.

The main settings you need to make on your camera are the widest possible aperture and low ISO settings, allowing you to choose the shutter speed you want.

no images were found

And finally, another way to creatively photograph trees is to move not the camera, but a tripod with a camera. This way you can achieve not only a blur effect, but also a soft focus effect.

At shutter speeds longer than 2 seconds, you can start moving the tripod a few moments after the exposure begins. In this case, you can get an effect reminiscent of a double exposure: the blur obtained in the second part of the exposure will be added to the sharp objects captured at the beginning of the exposure.

This method gives you room for creativity: you can experiment with various types movements and achieve results that you will like.

Of course, not everyone will like creative photography methods. autumn trees proposed by me. Some will use them, others will not. But, be that as it may, experimenting with photographing trees at long exposures is exciting, because every new photo will not be similar to the previous one.

To get wonderful pictures, it is important to choose the right poses for a photo shoot outdoors in winter. The selection of props and accessories is of great importance, and the combination of the photographer’s talent and successful posing will reveal the creative concept and allow you to capture important points life.

Ideas for photography in the winter season

In the cold season, preference is not necessarily given to shooting in the studio. Photos taken outdoors in winter will turn out just as beautiful, and sometimes even more beautiful. Elegant trees covered in frost will harmoniously complement a street photo shoot:

• lovers
• girls with girlfriend or boyfriend

If you are planning a thematic shoot, the appropriate props are selected. Here there is scope for the implementation of any ideas. Unlike the static interior of a studio, a photo shoot in nature is not limited to a given theme. In the open air you can realize various ideas, from filming children's fun to portrait shots. An outdoor photo shoot in winter will be complemented by:

• sled - suitable for both children and friendly outdoor photography
• New Year's toys - winter is associated with them
• snow hearts are a simple but cute attribute for a photo shoot for two
• a snowman is a universal detail for winter surroundings and family or friendly photography
• warm clothes - fur coats, coats will emphasize the image and will look natural in a snowy forest
• a warm scarf and gloves are cozy accessories that add tenderness to your photos

In winter, girls have many opportunities to bring unusual ideas to life. It is at this time of year that the best photographs are taken with a samovar in the image of a simple Russian beauty, which will suit a delicate blonde and a sultry brunette. You can do without additional accessories. In winter, wearing a dress will make good photographs for both a professional portfolio and a personal archive.

Photoshoot for two

For a photo shoot of a couple, just the lovers in the frame are enough; it is not necessary to select accessories. Sincere feelings loving people, skillfully captured by the photographer, will be emphasized by correctly chosen poses. Professional photographers recommend using the following:

• free - the couple stands face to face, looking at the camera or at each other. Such a photo could look like full height, and from close range
• romantic - a man hugs his beloved from behind, as if warming her and protecting her from the frost. A girl-bride in winter looks especially touching in a dress or light outfit.
• hand in hand or hugging - these poses for a photo shoot on the street are suitable for taking a strolling photo of a couple from the back, or walking towards the photographer in a snow-covered park
• leaning your back on a tree - such wedding photos will be original, they can be taken both in the forest and in the city. An alternative option is to lean against a festively decorated car.
• lying down - depending on the wishes of the lovers, they can lie on a blanket or directly on the snow. For shots, especially portrait ones, to be successful, the shooting point must be low enough

These poses for a photo shoot in winter are one of the components great pictures on the street. Emotions must be present in the frame. If lovers are tense and cannot loosen up, which often happens when photographing teenagers, the photographer will advise them to relax and look at each other warmly and affectionately. Then the emotions in the photo will be natural and the poses will be relaxed.

Wedding photos will be complemented by romantic paraphernalia: heart-shaped elements, wooden signs with the inscription “I love you”. And for photographing a man with his pregnant wife, booties, a pacifier, and rattles will come in handy. Don't forget that the number of accessories, regardless of the theme, should be moderate.

Posing for a family winter shoot

It is advisable to discuss poses in advance. For family photo session in the city or in the forest the following poses are suitable:

• game room - catching up or playing snowballs will emphasize joyful emotions, such family photos will evoke warm memories for many years
• walking - parents and children walk towards the photographer or away from him; interesting photographs will be obtained not only during the day in the park or city, but also in the evening, in the light of street lamps
• staged - a family stands in a forest clearing or against the backdrop of a house, holding hands or hugging. A simple composition will emphasize the warmth of family relationships

Suitable for family photography interesting idea using “family look” – outfits in the same style, one color range. Adults and children can wear the same coats or fur coats and fur hats. Good photographs are taken when everyone involved feels at ease. Therefore, make sure that walking photography is not boring for kids; introduce elements of play into the process. Both toys and the parents’ mood will help with this. And the frost will take care of creating a natural makeup - rosy cheeks are guaranteed for everyone.

Photographing children

The key to getting interesting children's photographs is the relaxed behavior of the little participants in the shooting. Only teenagers will be able to unquestioningly fulfill the photographer’s requests. It’s better to film kids while they’re playing. If the photo session with children is held in the park, ask the child to build a snowman or play snowballs. You will also get good shots if the child is:

• peeking out from behind a tree and playing hide and seek
• lie on the snow with your arms outstretched to the sides
• sit on the doorstep wooden house and wrap yourself in a blanket

If there are more than one participants in a children’s photo shoot, you need to make sure that the kids don’t scatter in different directions. This is especially true for shooting fidgets of three to four years. Professional photographers recommend preparing costumes for the children. In cold weather, you can limit yourself to original hats in the shape of animals, warm bright scarves and mittens. Children will love the unusual theme of the shoot - animals in the forest, because the kids love to try on the roles of bears, bunnies and wolves. And girl friends can easily transform into little red riding hoods or foxes. It is better to take pictures of babies during the day, since in the evening the pictures will not turn out as colorful as you would like.

Women's photography

A women's photo shoot in cold weather can be organized in the city or outside it. To take photographs, you need to think about makeup and clothing in advance. Usually they opt for a coat or fur coat, but they also often wear a dress in winter. Blondes are advised to choose bright outfits to stand out against the background of white snow. To prevent a girl from freezing in nature, it is advisable to take care of a warm room. In the city this could be a cafe, but outside the city or in a park a well-warmed car interior will do.

Women's photography is impossible without proper posing. The best shots on the street are obtained using the following positions:

• portrait - a girl looks at the photographer or turns over her shoulder, while she can be wearing a hat and scarf, even men's ones
• in profile - a good shot will be obtained if you catch falling snowflakes while standing in profile or half-profile to the camera lens. Beautiful pictures are guaranteed when shooting in the evening, in the light of a lantern
• jump - in this case, the legs at the knees should be bent at different angles, the position is profile or half-front
• sitting - a place on a bench or steps is suitable for photography; a cup with a hot drink in your hands will look good. This simple idea will also come in handy for taking photos with your boyfriend or girlfriend.
• half-turn - the heroine walks along a road or a frozen river, turns around and looks into the lens. An unusual shot is guaranteed
• leaning on the car - you can use this pose during a romantic shoot with your beloved man

This posing is suitable for a photo shoot on any topic. Ideas can be used for filming a pregnant woman. In this case, a photo shoot in winter in a coat will be preferable, because we must not forget about health.

When discussing the topic of the shoot, be sure to spend time on the issue of posing. Correctly chosen poses for a winter photo shoot on the street are the key to a successful photo shoot of two lovers, men's or children's photography.

Photographs are the guardians of joyful, touching and significant events that occur in a person’s life. They look especially charming in winter against the backdrop of snow, the gentle shimmer of which fills the entire surrounding space. The quality of photographs at this time directly depends on the level of professionalism of the photographer, the chosen angle and personal attitude. Let's consider several options that will help make your winter photo shoot stylish and extraordinary.

Shooting in a snowy forest

The ideal place, reflecting all the grandeur and luxury of winter landscapes, is undoubtedly the forest. Tree branches bent under a load of snow and the sun breaking through their thick crowns create a fabulous backdrop for photography of any style.

As clothes, of course, it is better to choose warm things suitable for this season: a down jacket, a fur coat or a sheepskin coat. But if you wish, you can also act in open evening dress, and in a light silk sundress. In this case, you need to prepare a warm blanket and a warm drink (coffee, tea) in advance.

Ideas for a winter photo shoot in the forest

For example, to get emotional shots filled with fun and laughter, you can play snowballs, build an eccentric snowman, make an angel or just snow fireworks. A cold snow-covered background, favorably emphasizing the warmth and sincerity of the partners’ feelings, is optimal for love and romance. Brides dressed in dresses of the same color look unexpectedly elegant on a white background. In this case, the snowball only emphasizes the fragility and femininity of the girl’s figure.

Here you can also try on the image of a proud Snow Queen and turn into Snow White or Little Red Riding Hood.
If there is no forest nearby, you can safely go to a park or square. Help create a New Year's atmosphere Christmas decorations, firecrackers, “rain” and multi-colored garlands. Perfectly complement the views balloons, baskets with sweets (sweets, cookies) or floral (live/artificial) compositions.

Ox sheb n y personnel A skating rink

Another place where amazing photos will come out is the skating rink. Shots that capture movement (even if you skate ineptly) always turn out lively, energetic and positive. In addition, you can pose simply sitting on the fence, ice, or with skates thrown over your shoulder. If you don’t like skates, take skis or a sleigh, the imitation of riding which will undoubtedly take you back to the carefree period of childhood.

Adherents of antiquity can put on Greek robes, take a bow and arrows and thereby transform into Diana the Huntress. Or modernize your look with fashionable hunting equipment and a gun, which will look no less impressive.

As for makeup, it all depends on the chosen image and shooting style. For fantasy shots, complemented by bright costumes and elaborate decorations, rich makeup would be appropriate. But traditionally it is customary to only even out the tone of the face, highlight the eyes and apply transparent pink gloss to the lips.

Remember, there are many ideas for winter photography, they can only be limited by your imagination.